Lp Vinil (vg+) Mott The Hoople The Hoople 1a Ed Us 1974 C/en

Descrição

Rara primeira edição americana de 1974 da Pitman Pressing em vinil (vg+) em excelente condição, poucas marcas de uso, alguns riscos leves, capa (vg/+) em ótimo estado, pequeno desgaste na lombada e pontas e alguma marca leve de armazenamento, encarte (vg/+) em ótimo estado, pequeno desgaste nas pontas (fotos) item único para colecionador

Mott The Hoople – The Hoople
Selo: Columbia – PC 32871 Formato: Vinil, LP, Album, Pitman Pressing País: US Lançado: 1974 Genre: Rock, Blues Estilo: Electric Blues, Glam, Hard Rock

A1 The Golden Age Of Rock 'N' Roll
Handclaps – Tippin's Toilet Trio
Piano – Morgan Fisher
Voice [Alan Freed] – Dan Loggins
3:28
A2 Marionette
Cello – Mike Hurwitz
5:03
A3 Alice
Backing Vocals [Fairy Dust] – Lynsey De Paul
Organ, Synthesizer [Synthi] – Morgan*
5:16
A4 Crash Street Kidds
Synthesizer [Synthi] – Morgan*
4:25
B1 Born Late '58
Lead Vocals, Twelve-String Guitar [Rickenbacker], Rhythm Guitar – Overend*
3:58
B2 Trudi's Song
Backing Vocals [Echo Vamper], Acoustic Guitar – Ian*
Piano ["Leslie" Piano] – Morgan*
4:25
B3 Pearl 'N' Roy (England)
Chorus [Picket Line Chorus] – Ian*, Mick Ralphs, Overend*
Voice ["Cosh And Helmet" Saloon Bar Scene] – Blue Weaver, Mott*, Stan*
4:25
B4 Through The Looking Glass
Arranged By [Orchestra], Conductor [Orchestra], Tubular Bells – Graham Preskitt*
4:34
B5 Roll Away The Stone
Backing Vocals – Thunderthighs
Lead Guitar – Michael Geoffrey Ralpsh*
Synthesizer [Synthi] – Morgan*
Voice [Chat Sequence] – Ian*, Lynsey De Paul
3:08

Fabricado por – Columbia Records
Fabricado por – CBS Inc.
Prensado Por – Columbia Records Pressing Plant, Pitman
Gravado Em – Advision Studios
Remixado Em – Air Studios
Overdubbing realizado em – Air Studios
Masterizado em – Customatrix
Copyright (c) – CBS Inc.
Phonographic Copyright (p) – CBS Inc.
Publicado Por – April Music Inc.
Publicado Por – H & H Music
Publicado Por – Ackee Music, Inc.
Impresso Por – Shorewood Packaging
Arranged By – Ian Hunter (faixas: A1 to A4, B2 to B5), Overend Watts (faixas: B1)
Backing Vocals – Barry St. John (faixas: A1, B2, B4), Sue And Sunny* (faixas: A1, B2, B4)
Bass, Vocals – Overend Watts
Design, Typography – Mary Winton
Drums – Dale Griffin
Engineer [AIR (London) Studios] – Bill Price, Gary Edwards, Peter Swettenham, Sean Milligan
Engineer [Advision Studios] – Mike Dunne, Paul Hardiman
Keyboards, Synthesizer – Morgan Fisher
Lead Guitar, Vocals – Ariel Bender
Management – H And H Enterprises
Orchestrated By – Graham Preskitt*
Other [Our Man Half-way Up Somewhere] – Stan Tippins
Photography By – John Brown (5)
Producer – Dale Griffin, Ian Hunter, Overend Watts
Sleeve [Concept & Design] – Roslav Szaybo
Supervised By [Production Supervisor] – Dan Loggins
Technician [Here, There and Everywhere] – Alan "Madswitcher" Harris*
Tenor Saxophone – Howie Casey (faixas: A1 to A3, B3, B5)
Tenor Saxophone, Baritone Saxophone – Jock McPherson (faixas: A1, A2, B3)
Violin – Graham Preskitt* (faixas: A2)
Vocals, Rhythm Guitar – Ian Hunter
Written-By – I. Hunter* (faixas: A1 to A4, B2 to B5), O. Watts* (faixas: B1)
Issued with printed inner lyric sleeve.

Ariel Bender appears by courtesy of Island Records Ltd.

Recorded at Advision Studios, London W.1. January 1974.
Re-mixed and dubbed at AIR (London) Studios 2 and 3 February 1974.

Miscellaneous credits:
Equipment by Ritchie, Phil, and Eddie.
Model: Kari-Ann.

(c) 1974 CBS, Inc. / (p) 1974 CBS, Inc.
All songs (c) 1974/April Music Inc./H&H Music (ASCAP) except:
B5 (c) 1973/Ackee Music, Inc. (ASCAP)

Lynsey De Paul appeared courtesy of MAM Records and the Triumph Motor Co. Ltd.
Organização de Direitos de Execução Pública: ASCAP
Matrix/Runout (Side A matrix, label): AL 32871
Matrix/Runout (Side B matrix, label): BL 32871
Matrix/Runout (Side A runout, stamped, Variant 3): P AL-32871-1D P
Matrix/Runout (Side B runout, etched / P stamped Variant 3): BL-32871-1A P

PVDDMX